NY Times Theater

NYT > Theater - 2025-04-22T15:53:43+00:00

‘Floyd Collins’ Review: Trapped in a Cave and in a Media Circus - 2025-04-22T02:10:28+00:00

‘Macbeth in Stride’ Review: A Leap and Stumble Into a Classic - 2025-04-22T14:59:30+00:00

Celia Rowlson-Hall’s Sisyphean Beach Balls - 2025-04-22T15:53:43+00:00

Review: Caryl Churchill Times Four Makes an Infinity of Worlds - 2025-04-17T19:09:39+00:00

Jinkx Monsoon Sails From ‘Drag Race’ to ‘Pirates! The Penzance Musical’ - 2025-04-17T09:02:05+00:00

Onstage and Off, Whitney White Is Everywhere This Spring - 2025-04-22T15:10:21+00:00

‘John Proctor Is the Villain’ Review: Sadie Sink Flips the Script - 2025-04-15T03:00:06+00:00

There’s No People Like Show People - 2025-04-18T09:01:05+00:00

How ‘Stranger Things’ Scaled Up for Broadway - 2025-04-21T19:10:17+00:00

Natalie Dessay Stars With Her Daughter in a French ‘Gypsy’ - 2025-04-14T16:00:15+00:00

‘Khovanshchina’ Is Finished in Time to Be Newly Resonant - 2025-04-12T09:03:18+00:00

Bernadette Peters Loves a Day Out in New York - 2025-04-12T09:00:06+00:00

How Brandon Kazen-Maddox, an American Sign Language Artist, Spends Their Sundays - 2025-04-14T22:44:37+00:00

Suzanne Rand, Half of a Once-Popular Comedy Team, Dies at 75 - 2025-04-12T13:02:18+00:00

Theater to Stream: David Tennant as ‘Macbeth,’ ‘Death of England’ and More - 2025-04-13T20:29:24+00:00

Review: ‘Becoming Eve’ Offers Testaments Old and New - 2025-04-11T09:01:25+00:00

Review: In a Musical Comedy Makeover, ‘Smash’ Lives Up to Its Name - 2025-04-11T22:11:17+00:00

‘Amm(i)gone’ and ‘A Mother’: Sons Calling for Their Mothers - 2025-04-11T22:24:53+00:00

‘Manhunt’ Is a Case Study in Fragile Masculinity - 2025-04-09T20:01:06+00:00

The Best Classical Music Performances of March 2025 - 2025-04-09T09:01:48+00:00

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