NY Times Theater

NYT > Theater - 2025-04-01T20:23:18+00:00

Review: ‘Glengarry Glen Ross’ With Kieran Culkin, Bob Odenkirk and Bill Burr - 2025-04-01T11:17:30+00:00

Andrew Scott on ‘Vanya’: ‘Who Isn’t Sad?’ - 2025-04-01T09:04:05+00:00

Othello and Iago, a Marriage Made in Both Heaven and Hell - 2025-04-01T20:23:07+00:00

My Friend’s Show Was Kind of Terrible. What Do I Say When I See Them? - 2025-03-31T09:00:06+00:00

Scott Rudin, Producer Exiled for Bad Behavior, Plans Return to Broadway - 2025-03-28T09:02:54+00:00

Review: ‘Picture of Dorian Gray,’ Starring Sarah Snook and 3 Million Pixels - 2025-03-28T02:00:06+00:00

At 50, the Wooster Group Is Experimenting on Itself - 2025-03-27T09:02:36+00:00

12 Plays and Musicals Across the U.S. to Brighten the Spring - 2025-04-01T03:42:42+00:00

How ‘Buena Vista Social Club’ Brings a Beloved Song to Life on Broadway - 2025-03-27T09:01:47+00:00

Fisher Center at Bard Announces Civis Hope Commissions - 2025-04-01T14:50:31+00:00

Review: Long-Lost ‘Love Life’ Still Has a Lot to Say About America - 2025-03-27T19:36:26+00:00

In ‘Streetcar,’ Patsy Ferran Gives Blanche a Nervy New Read - 2025-03-26T15:56:38+00:00

How ‘Operation Mincemeat’ Revealed a Family’s World War II Secrets - 2025-03-26T14:36:58+00:00

George Clooney’s ‘Good Night, and Good Luck’ Sets Broadway Box Office Record - 2025-03-27T02:54:03+00:00

‘Wine in the Wilderness’ Review: Beauty in Blackness - 2025-03-25T17:07:29+00:00

Phylicia Rashad Knows Her Purpose - 2025-03-26T19:54:47+00:00

The Women Changing the Face of Clowning - 2025-03-24T18:18:32+00:00

In ‘Othello,’ Denzel Washington and Jake Gyllenhaal Are Prey and Predator - 2025-04-01T11:15:34+00:00

The Price of a Show - 2025-03-24T15:03:28+00:00

The Brooklyn Academy of Music Is Fighting to Regain its Mojo - 2025-03-25T13:45:20+00:00

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